Wednesday, June 11, 2014
Friday, May 23, 2014
Gorping
The North American Language
Institute’s Encyclopedia of English Slang Terminologies.
The verb ‘Gorp’ is listed in older copies of
Merriam-Webster’s Dictionary, as an anachronistic terminology that refers to gluttony
or the act of consuming food rapidly. In Finche’s accessible compendium of
esoteric adjectives, expletives, and other arcane and extreme terminologies,
Gorp, is listed as a colloquialism once used in pre-annexation California to
describe an insect that resembled a cross between a Praying Mantis and a Dung
Beetle, known to habitually infest livestock feeding troughs and horse kennels.
The bug in question is now believed to have gone extinct, although unconfirmed
reports indicate that it has become a nuisance for backyard-dog-breeding
operations.
Most recently, ‘Gorp’ has been employed to denote a
particular mixture of nuts, seeds, berries and dried fruits—generically known
as trail-mix—favored by people who frequently hike along challenging terrain,
as a way of maintaining energy through a supply of easily digested food that is
high in carbohydrates. This mixture is of course widely used, not only by
enthusiasts of Saturday afternoon nature-trail excursions, and mountain-bikers;
but also by school-children during snack-periods, teenagers watching DVD’s at
home, and travelers on long road trips, not to mention just about everyone else
at one time or another.
The intransitive usage, ‘Gorping,’ is defined by Praxler’s
Yearly Slang Index (PYSI), as an activity involving the rapid imbibing of any
substance for the purpose of “gorging oneself excessively to amuse one’s
friends; winning a contest involving the intentional over-consumption of edibles
usually taken in moderation; or, drinking a large amount of any alcoholic
beverage in a very short time span to induce a state of immoderate
inebriation.” It is this last definition that has most recently morphed into a
practice involving large groups of college students, or ‘Twentysomethings’
collectively harmonizing in public places during the late evening hours.
What sets this practice apart from other forms of ‘singing,’
busking, or even boisterous shouting, is the material itself. A proper
‘Gorping’ session requires that the participants, sing, intone, or scream, in
unison, the names of well-known corporate entities, followed by a rising
crescendo of expletives and obnoxious noises; which culminates in a cacophony
of spirited cursing, raucous laughter, and the sounds of breaking glass, as
beer bottles and ale mugs are hurled into the curb and sidewalk. After this
buildup—whose success is usually measured by the number of lights that go one
in nearby houses and buildings—the participants hobble off drunkenly in separate
directions, presumably to sleep it off.
The most interesting aspect of Gorping, however, is the
content of the songs, or chants, themselves, which bear a striking resemblance
in structure and approach to the nonsense versus contrived in schoolyards by
grammar school aged children. However, unlike the rhyming quatrains of their
prepubescent counterparts, ‘Gorpers’ pride themselves on what has become known
in the Twittering realm as “Anti-Rhymes.” Anti-Rhymes” are verses intentionally
denuded of alliteration in their last stanzas, so that the initial couplet is
followed by a discordant and unrelated phrasing, or expletive, which draws
attention to the non-sequiter that characterizes the transition from the naming
portion of the chant. Thus, the popular ‘Gorp’ whose initial couplet is:
“McDonalds, Wal-Mart, Burger King, Gap; McDonald’s Wal-Mart, Burger King, Gap;”
which is followed by, “Asswipe, Shitbird, Cum-Bag Fuck!” This last combination
sung twice.
The denouement is intended to shock the listener by
conflating the proper names of well-known enterprises, with infantilizing and
often scatological expletives that are intended to defang the ostensible
subjects of these rigorously stylized recitations—that, in the words of social
theorist, Garland Briggs, “Conspire to elevate their profits while causing
great mischief”—and hence, neutralize them as powerful entities In essentially
bringing such ubiquitous and monetarily esteemed corporations down to the level
of the schoolyard and the barroom, the chanters are employing a method of
incantatory invocation as old as the organized occult practice of ancient
religious rites, and as widespread as the childhood practice of avoiding cracks
in the sidewalk.
Ari Feldman of the Neurology of Mind Institute in Palo Alto,
California, points out that the aforesaid practices are structurally similar to
behaviors observed in individuals who suffer from a form of Tourette’s syndrome
known as Coprolalia, which involves the involuntary utterance of expletives and
other offensive words in public situations where they are potentially the most
embarrassing. As an example of this strange behavior, catalyzed at the
intersection of mental process and neurological impulses, Feldman relays a
well-known anecdote about a religious Catholic parishioner, who often shouted
sacrilegious epithets and the names of sexualized body parts during church
services. The more embarrassing the expletive, the more likely he was to shout
it at top volume during quiet lulls in the ceremony. Feldman points out, of
course, that unlike Gorping, Coprolalia is mortifying to the individual, who is
compelled, in a manner almost involuntary, like a reflex, to make such
utterances; yet, “in the structure of the way the words are arranged, their
repetition and rapidly enumerated combinations, there is a similarity.” He goes
on to speculate that “such desires may, in fact, be universal and are seen in
all cultures in a variety of forms.”
This sentiment is echoed by Bernard H. DeLaturno, a
sociologist and historian of pagan religions, at the University of Colorado,
who points out that “Gorping has its roots in ecstatic occult practices that
date back to the incantatory song-cycles of Indo-Iranian shamanic harvest-festivals
in ancient Persia. The priests would make an infusion from the seeds of the
Harmel plant, also known as Haoma, and burn them, producing a pungent and
intoxicating odor. Much revelry would follow, along with a series of chants
intended to purge the attendees of evil spirits. This practice was a precursor
to the more organized Zoroastrian ritual involving the consumption of Mang. In the latter case, the intent was
to invoke, through the precise application of this ceremonial practice, the
power of the spirits to turn back or stymie the forces of Alexander the Great,
who conquered Persia in the Third century A.D.” DeLaturno goes on to compare
such stylized attempt to purge a social group of a perceived evil, with its
modern counterpart in the practices of Gorpers, whose nonsense chants, in his
words, “aim to demystify the power of these large organizations, and in doing
so reduce them to a comprehensible level.”
Social theorist, and Marxist culture critic, Fredric Jameson
goes even further in politicizing what, until recently, was widely regarded as
a meaningless fraternity-type social practice—on par with drinking game apps
and saloon song roundabouts—by asserting that it has “profound social
implications.” Jameson makes the persuasive claim that Gorping is the “encoding
through social practice of a form of protest aimed at belittling and
emasculating images of corporate power, which it achieves symbolically, at
least, by equating the sanctioned titles of the companies that comprise the
military, corporate complex, with the excretion of feces, and other practices
that combine together in the scatological imagery used by Gorpers.” As an
example, Jameson provides a version of a very popular Gorp, chanted frequently
outside bistros and taverns in the Northeastern US:
Kellogg,
Brown and Root
Kellogg,
Brown and Root,
Felchbag, Cumstain
Cunthole,
Quiffs!!
In addition to the above, Jameson mentions several related
quatrains that invoke the names of Raytheon, McDonald Douglas, Citi Group and
Clear Channel. “It is,” he concludes, “the most recent form of public
resistance to corporate hegemony, and it is largely spontaneous, without any
organizing structure or underlying ideology. This makes it truly populist, but
also ripe for co-opting by the very forces that are the subjects of its
ridicule.”
Where Jameson is leading with this point is not hard to
imagine. One shudders at the thought of beer manufacturers organizing product
friendly Gorps at local sporting events and concerts as a method of marketing.
This is already happening in some places, although not in the ways anticipated
by corporate sponsors--as mentioned in a related entry on “Organized Gorping,”
or “Corping,” as it has been dubbed, located in the following chapter of this
encyclopedia—but the practice is still largely the province of spontaneous
gatherers in social situations. Only time will tell if this may change; and
when it does, what form it will mutate into.
Related Practices
Gorpulating; Gorping in ASL and Braille; Pre-Gorpuscles, and
other variations on dirty ditties in cities around the US. Competitive Gorping;
Gorping for Snapple—see also, Organized Gorping, or ‘Corping.’ Silent Gorping;
Gorping In China; Online Gorping; Gorktwittering; Ghost Gorping; Affirmative
Gorping; and Gorp-overload; See-alss,“Gorp-Exhaustion Syndrome, and other
social maladies of the 21st century,” Roger F Bastock, Timothy
Fehlner, Bantam Books, 2014; Gorping and municipal nuisance laws; see New York
Ciry Police vs. Adam Bartz, et al, New York State Supreme Court 2012 (the
decision upheld the right to Gopr as a form of First amendment protected speech,
but with important limitations based on local decency standards and verbal
obscenity statuettes. The NYPD is appealing the ruling. Occult Gorp.
Gorp-Mongering; Gorping Incorporated, as an attempt to assimilate the practice
into corporate marketing techniques; Gorpers-Anonymous; see also, Gorpers
12-step groups, and the larger issue of medicalizing the practice of Gorping.
See Anton Krenkowsky Velchek, “Popular practice or harbinger of illness: the
attempt to pathologize indecency” in Journal of Extreme Social Practices. Vol.
2 Fall 2012. Gorping on Mountain-tops; Gorping with Clown-Herds; solitary
Gorping; Gorp communes; Gorping for money; Gorping as a form of deep breathing
exercise. Master Gorper; Gorping musical books; Gorping in Spain..
Thursday, April 3, 2014
Yet if I try to imagine this [state of being] I am restricted to the resources of my own
mind,
and those resources are inadequate to the
task. I cannot perform it either by imagining additions
to my present experience, or by imagining
segments gradually subtracted from it, or by imagining
some
combination of additions, subtractions and modifications—Thomas Nagle, “What Is It Like to Be a Bat?”
Habanero Pepper wasn’t the first Claymation FVW denizen to
dream, but his dream was different. Habanero Pepper dreamed about two hairy
legs. At first, it was only one leg, but then it was joined by another, and
then still more later on. Habanero would not have known how to describe the
strange tentacle-like appendage with a small flattened hand at the bottom that
extended five stubby digits of its own; but, he had carefully observed Hand’s
recent death and resurrection, and had noticed that Hand was attached to a
tentacle called arm, and that arm was itself connected to a large pear-shaped
mass, out of which extended another arm, with its own hand. Thus, there were
two hands; and even more bizarre, were the lower appendages. Banana and Tomato
knew to call them legs, and since Banana and Tomato were amongst the most
curious of the Fruits and Vegetables, it was only natural that Habanero—who was
also quite observant—adopt these strange designations as well. Moreover, having
had a dream of one, and then a companion leg, each covered with a lichen sheet
of long mangy carpeting—or hairs—it was inevitable that Habanero would invent
and then append more compound appellations to his strange dream creature.
The next night Habanero dreamt the creature again; only this
time, it consisted of numerous legs, moving about in disarray like an
assemblage of forks and knives arranged by a Dadaist; all going in opposite
directions, and exploring intrepid itineraries without any oversight or
purpose. But Habanero knows, having seen the blueprint for such a creature in
the Hand prototype, that the legs are attached by two’s—although he can’t
really give any good reason why it shouldn’t be in some other combination like
three legs or even more—and are joined by the odd pear-like structure, whose lower
part narrows into a waist.
But still, something is missing. Two legs and a waist need
some kind of executive management; otherwise, they just march inexorably
forwards until they drop from exhaustion and all the hairs on the lichen-sheets
fall out and run for cover in disarray; or, something like that, as Habanero
doesn’t quite distinguish between compound parts that are inert by themselves
and executive parts that stand back and direct in a supervisory capacity. The
rest of the creature functions as a mere factotum, whose purpose is, to do the
errands and muscle work for the administrative sections of the apparatus, or so
Habanero assumes. In other words, only one part can think on its own—how silly.
Therefore, the rest of the various appendages and lumpy pear shaped things,
wait for that part to give the order; and that part is called “Head.” Head is
the managerial portion of the hairy legs creature, and Habanero imagines it
attached directly to the waist and legs, before realizing that it needs to have
the Pear-shaped mass, and the arms and hands—like Hand does; only, this
creature is far more hirsute, and this makes it much scarier to dream about so
frequently. Not that it seemed particularly dangerous to Habanero, not after
the endless predations of Hand, and its sinister companion double, who up until
recently, no one in the Claymation FVW Fruit Bowl had ever actually seen, or
even thought to conjure in their most vivid dreams.
Then Habanero Pepper has an epiphany: Realizing that the
shock of this gestalt shift has now pushed him completely into the temporal
present he declares, “I will call it ‘Bigfoot,’ because of those flattened
hands compressed under the weight of those powerful legs; and, because of those
stubby digits emerging from the bowels of those flattened hands—those
‘feet’—like terrified children slithering out of a sewer pipe bomb shelter.”
Habanero is exquisitely pleased with himself, and his tiny lips change color
like a sound-sensitive lava lamp reacting to the tempo shifts of a King Crimson
record, inducing a frisky playfulness. “’Foot,’ what a funny word,” thinks
Habanero Pepper, and he begins to giggle, “Tee-hee-hee-hee.” When he giggles,
his little orange body shakes like a dancing fava bean and his mouth lips turn
deep red and then all silvery, forming the shape of two sinewy undulating
dolphins joined at the muzzle bumps. His dolphins also find the word ‘Foot’ to
be quite hilarious, especially when the word, “Big’ is placed in front of it.
Words, of course, were new to denizens of the Claymation FVW;
they had always existed, but had been noticed only peripherally, as sharp feelings
bordered by color patterns, signifying a cuneiform screen crawl. Now, they had
taken on a fresh sensory resonance; not just as vibrations, but as actual
ruptures in the curious wave-pattern realm of sounds. This was quite an
accomplishment for Claymation creatures, especially for Fruits and Vegetables,
whom, it must be remembered, had no ears; a sign, in fact, that they were in
the grip of some acute Renaissance of self-awareness; which, in itself, was far
preferable to being in the acute grip of Hand, who now resurrected, still
lurked in the world of Kitchen. And Habanero knew that Hand was probably the
inspiration for these nightly sojourns through the portal of the muse and into
a world of oddly imagined, tangible objects.
But Habanero has a strange feeling about these dreams; he
does not believe—in the depth of his seed membranes—that they resonate
transparently. Instead, he can sense that the strange calculations hovering
about the images of these still disembodied feet, hands, and other physical
manifestations of this strange creature, articulate its existence in a very
peculiar and specific way; and this ‘way’ seems to foreclose on any variety in
Habanero’s invocation of its being. It is like making an adjustment to an image
after the image has already partially resolved itself; and in doing so, added
garish colors and patterns that, while separate from the original, are expected
to assimilate into the larger structure without dissonance. He flashed on the
picture of a tree sapling with two large metal braces attached on either side
to guide its growth into a particular pre-planned pattern.
For, unlike Habanero—who could sense temporally jagged, but
intimate tactile manipulations performed on his Claymation bodice—the ‘Bigfoot’
apparatus, if that was even close to the most accurate word for it, was a
largely self-propelled and autonomous entity. How then, could its being be
gerrymandered in such a way as to incorporate it into a single frame of
reference? Surely, an autonomous creature would move hither and yon, and in
every other direction, when reacting to even the most subtle intimation of
pressure from any particular point on its internal compass. It could never be
one thing for long, as its complexity was already a source of convection that
would generate all manner of strange impressions and subsidence’s like radar
signals for it to follow. And ultimately, to itemize each part that comprised
its wholeness, as if they were in close proximity to one another only by some
strange functional coincidence, was to elide consideration of its essential
completeness. That completeness was a thing that could be seen as color or
picture but not known as a vibrating resonance.
Still, the sheer pleasure of having a method of describing such
exotic stuff was a powerful seduction, and Habanero Pepper had discovered the fun
to be had experimenting with nonsense names and phrases. There was
Decalibratoryemancipation, Phytoplanktonianquietcessesitation,
Zimbrosculatoryreticinotation and Carnivoretdeliberatethymeeresignatoryparrotation.
Those were only a few; for he could make words that stretched out past the
boundaries of the Claymation FVW and into the very heart of the
macro-inhabitations of the very large—some as far as a substance called ‘Moon;’
or was it an object, he was never quite sure? Habanero pepper also liked to
repeat assertive commands, in the inimitable FVW way—as Claymation Fruits and
Vegetables could not literally make sounds with their Claymation mouths—such
as, “Prepare the Virtual Nematode;” “launch the Infinite Phylacteries;” “smite
the recalcitrant Glyptodonts;” and, his favorite, “aerate the cosmic nasal
inhaler!” These statements had little meaning for Habanero Pepper; as words
themselves, when combined in this way, seemed superfluous. Yet, there was a
form of reality etched in the spaces behind it—partly obscured by its own
schematics, but still quite viable in many ways—that he sensed and was
fascinated by. It was, he knew in the depths of his seed-cradle, a manipulation
of consciousness that colored it with its own artifactual qualities. But, it
had its own poetry and time signatures as well; which, from a purely aesthetic
point of view—a concept that Habanero Pepper expressed as a shimmering
accumulation of incorrigibly promiscuous color—gave him a tingle of mouth-lip
scalding pleasure.
Consciousness itself was addictive; after all, one didn’t
really know anything else—it was the available wire mesh through which everything
was pulped and filtered. Therefore, it only made sense to conceive of things
through this narrow juicing mechanism, even if it atomized objects into
infinitesimal points where two essentially empty spaces intersected into a
virtual field of immanent meaning; the modular platform out of which one could
construct the discretely arranged elements, forming the framework of an idea.
In other words, Habanero Pepper thought—or, more literally, ‘flashed’ in myriad
colors and impressions—the very act of thinking determined what it was that one
actually thought about and how it ought to be construed; and, while this
process was seemingly automatic, Habanero could sense that, in whatever form it
took, it also pinched off a small part of the world from the larger mass through
which it was extracted and then put that residue under a giant magnifying lens.
And, even when it ascertained—through the various vocabularies that it utilized
like a cheesecloth to wring the moisture out of wet lumps of milk curds,
vegetable matter, or clay—the total meaning of the everything that surrounded
the more particular things of which Habanero was a single example; it could not
help but reduce the sum of those ‘things’ to artifacts of its own peculiar
expression of the world. Habanero Pepper did not know how to get out of such an
unlikely and labyrinthine trap.
He likened this paradox to another dream he remembered; this
one about a strange spindly legged creature which had a large proboscis,
teardrop shaped skeletonized leaves jutting out from both sides of its
pear-like middle section, and was entirely covered with a bony carapace. The
creature would stick its proboscis into a scaly sheet of dried soil, which was
punctuated by individual strands of a thick chitin-like elephant grass jutting
from small tuber shaped holes at regular intervals; and as it did this, the
ground around the drilling proboscis would become red and rise slightly. Then
the creature would pull out its narrow thorn-shaped trunk and promptly
regurgitate a thick chowder of viscous liquid before sticking its nose right
back in, and then sucking up material from under the dermal soil layers, along
with the very stuff it just spit out. Habanero Pepper couldn’t gauge exactly
what this creature was, but he could understand that it didn’t distinguish
between its own effluent and the nourishment it obtained from the ground while
using it. It was all one big messy suspension whose flavor was as much a
reflection of the ingredients in the creature’s vomitus as it was a product of
the nutrients in the ground under the elephant grass. When it was finished, it would
extract its proboscis completely, which was always followed by a small
trickling of red sap from the tiny hole that the creature had just drilled.
The dream always gave Habanero Pepper the same sensation
afterwards, of a tiny hot wire running across a small section of his outer
skin, and throbbing in a staccato fashion, as if he too were being drilled by
the same spindly legged creature. It would send a shudder into the deepest
regions of his seed-membranes, causing his Claymation lips to quiver like a
radiating wave in a diagram superimposed over a map of a city in a hypothetical
schematic of a nuclear blast. Habanero imagined this sensation personified as a
tinier version of the same spindly legged creature, trying to communicate
something important by generating whispered skin-quakes through his elastic
outer fibers—which, of course, was not so strange to a Claymation vegetable who
often conversed in color patterns and vibrations. He knew that it all had
something to do with his dreamed vision of Bigfoot; more to the point, the fact
that he might have dreamt Bigfoot wrong—especially now that the creature had
taken on characteristics too complex to be easily described or even understood.
It had gone from a strange cartoon to something too varied to be encapsulated,
and it continued to ramify into unknowable branches of being.
Perhaps this was one of the principle qualities of a
monster: an animate presence too large to be comprehended except as an obvious
simplification into schematic representation, lest it overwhelm the beholder,
and reproduce within his/her consciousness the characteristics of the keenly
observed monster itself. Such a choice invariably formed into a dichotomy: one
either distorted the nature of what was intuitively understood, or was, in
essence, distorted by it. This did not seem like a fair appraisal of the
infinitely divergent arbors that intertwined the aforesaid reality into dense
lattices of impenetrable kudzu. Surely, nothing this complex could simply be
reduced to an either-or phenomenological proposition: the beholder had to at
least try to understand it, even at the risk of merging with the identity of
such an infinitely conceived world. Then again, drowning himself in the
particularities of the ‘Bigfoot’ realm was part of what made Habanero’s dream
so appealing; that is, as long as the immersion was temporary.
For indeed, Bigfoot was Habanero’s vomitus, his injection
well liquid, his extractive juice—his cheesecloth, in fact—through which he now
comprehended an entire world of similar creatures, their movements and strange
mannerisms; even the odd audio waves that they created by vibrating special
glands and structures near their flesh-mouths. It was a strange world, and this
was the source of his aforementioned difficulties; as he had no idea whether
knowing it through an aperture called ‘Bigfoot’ was to really know it at all,
or simply to conceive of it through the matrix of a fantasy being whose own
identity reflected some obscure aspect of that world, now foregrounded as if it
were the only thing dominating the skyline of its peculiar metaphysics.
Later, he would dream entire species of odd flesh-monsters,
such as the white-gloved hordes; animated creatures—like those of the
Claymation FVW, but more spidery and modular. They would march into a garish
curtain of orange and purple smoke, before coming out through an evocation of
its other side; a paper barrier that they would break through, like an idea
forming from the raw stuff of thought at its moment of gestalt. These masses,
these mices, these mackenzy mice; these Mickey-Mouse Mice hordes—what were
they, and how did they become these words, shiny and smelling of antiseptic,
dripping from the outer membranes of Habanero’s orange tinted pudding-skin sheathing,
at the moment of his awakening? It seemed as if, at a certain, very specific,
time, lost to memory like a recurring primeval galactic collision, all of these
dreams had come together in a way reminiscent of an agglutination of molecules
that comprise a larger substance. Habanero had no idea what this substance
might be, but he could feel its weight slightly altering his center of gravity,
like a halo of those previously imagined and barely discerned digits, forming
and shaping his Claymation bodice into poses that would pass instantaneously
into the next configuration in the cycle without being noticed.
Permeating the time-line between the dilating wave-function
of expectation, and the collapsing singularity transpiring as a convergence,
just after the gestalt of resolution is made manifest, Habanero shifts tenses until
he is propelled into the present moment. However, he doesn’t want to get ahead
of himself, and be several rooms down, so to speak, in the context before
pretext, in places that haven’t had a chance to solidify into a tangible
reality because they have yet to be imagined. So, while sitting in the
movie-theater-seat sized channel between the already happened and the yet to
occur, he adjusts his chronometer ever so slightly in the interest of temporal
balance. Now he’s just right, for he knows that he has to be ahead of the
realization, so that he can augment it towards a kind of clarity.
This is a bit like riding a wave of tomato juice, while
standing on a petrified running-board of mango skin. If Habanero can avoid
becoming ponderously entangled in the cocktail glass debris at the other end,
he can navigate his way into an understanding of Bigfoot and its peculiarly
off-kilter world of aforementioned tangible objects. Still, Habanero has no
idea what ‘riding-a-wave-of-tomato-juice would be like; and even less of any
coherent notion of why someone as inviolable as Tomato would even consider
turning himself into a juice. Nonetheless, he knows that he must come to understand this
process—even if it is only a way of expressing something metaphorically through
the strangeness of words; which themselves, still feel novel to Habanero, looming
about him like anthropomorphic trees in a Maurice Sendak jungle. For this
unusual itinerary is as close as he can come to a feeling that approximates the
radiating green and yellow sunburst that he intuits as equivalent to the word
‘progress.’
The best and most effective way to achieve this, of course,
would be through a process of controlled dreaming. Habanero Pepper thus
concentrates his energy, until it gathers like disparate clumps of individuals
coalescing into a large crowd, and reaches a crescendo of density similar to
that of tightly packed bodies around the figure of a single charismatic speaker.
This speaker has a transparent, light-bulb shaped head, which begins to expand
exponentially, transmogrifying into a cartographic chart of an unknown territory
comprising spatialized vibrations of varying resonances. The whole episode is
rather short lived, transitional and very ambiguous; Habanero is shot, as if
from a large metal breach, into a rapidly disintegrating beryllium mass, before
finding himself in a field of tall green shoots—the proverbial grass of his
Bigfoot dream.
In a large convex space that to Habanero’s unseasoned glance
looks like a blue hat over the spires of nearby greenery, he can detect
movement in the distance. Soon, the remote rustling is replaced by a percussive
vibration that is accompanied by small dark projections of vague shadowy forms
coming across the horizon, and breaking the illusion that the sky is an
homogenous blue mass. Instead, Habanero can see hundreds of hairy-leg pairs
moving rapidly, in the same graceful way like falling snow bouncing along the
ridges and protrusions of a white hillside. He doesn’t know where such images
come from, or if they could be called, analogies; but, he can see that the
alternating flexing of leg muscles is not at all tree like in its motions—as no
wind-bent plant, no matter how poetically it bestrides the air, can match the
sheer complexity and athleticism of these movements—even if they are of a
similar color and solidity.
There is a moment that always arrives soon after the first
instant of recognition of type, where one sees a familiar particularity that
allows for distinctions that set generic examples of an entity apart from one
another, and bequeaths individual characteristics to the specific entity most
prominent within one’s field of vision. This individual—one of numerous Bigfoot
creatures—was the one that Habanero now decided was probably the most amenable
to direct communication. A few days earlier, such a notion would have been unthinkable; and, even now, Habanero barely knew what to
say to this hulking presence, or how to reconcile the numerous barriers that
existed between them, and which might result in some colossal, and thereby
consequential, misunderstanding. But it was worth the risk—especially since the
worst case scenario involved little more than a quick shuddering as Habanero
re-awakened into the Claymation FVW realm—so he took the first awkward step in
that direction, and did something no other denizen of the Fruitbowl had ever
done before, in any state of consciousness: he spoke an actual word.
“You…” It didn’t come out sounding as he would have
expected, but it resonated correctly, so he waited for a response.
“hhhmph” the Bigfoot grunted.
Habanero was delighted at this strange vocalization; it was
like discovering a strange music broadcasting from the magnetosphere of a distant
planet, emanating from a frequency picked up on one’s clock radio.
“Hmmmph” Bigfoot grunted again, in a slightly lower
register, causing his tiny orange counterpart to break out in Claymation Fruit
and Vegetable mirthfulness. The huge creature just stared back at him, as if
trying to figure out exactly how to respond. Habanero, pulls himself forward
into the present tense, and is now smiling so broadly that his mouth-lip
dolphin-shapes are beginning to stretch and contort, looking almost as if they
could separate and swim off in opposite directions. He lets out a shrill cackle
of friendly laughter, “hee-hee-hee-hee,” and the creature smiles in response,
but then bares his teeth. This ambiguous reaction is unexpected and Habanero
must think of something to say that can be more clearly understood.
“Zeit, Lufthansa…?” croaks Habanero, as he suddenly realizes
that words are strange ungainly things that take on a life of their own
regardless of what one intends to say. More perplexing is the fact that these
are words that Habanero has never actually heard, and he is inclined to wonder
if he might have simply made them up; then again, it may not matter, as Bigfoot
is puzzled and beginning to grow impatient. The creature’s mouth is open wide
and baring even more teeth than before. Habanero can feel the vast difference
in their respective physical architectures; the mouths being emblematic of
their larger variances, physiological and otherwise.
“Oaghwortsgsdui!” interrupts Bigfoot. Habanero does not know
what this means, but realizes that he is better off not attempting to repeat
it, as the enunciation seems to engage areas of the tongue and throat in an
intimate and complex exchange that he cannot simulate so easily.
Instead, he offers a spontaneous recollection of more words
that he cannot remember having ever previously encountered.
“O universe of forms I ask
Are you a mirror, or a mask?”
“Melnechuk!” bellows Bigfoot. Habanero is perplexed, and
wonders if there is any way by which he can facilitate the act of translation
between two such differently oriented beings.
“Melnechuk!” repeats Bigfoot, who is suddenly joined by a
chorus of ‘melnechuks,’ emanating from every point on the horizon, and from
every Bigfoot figure that Habanero can see with his Capsicum inflected optics.
But he doesn’t have any idea what they are talking about; and, as the crescendo
of ‘melnechuks’ grows louder, Habanero feels a strange anger welling up inside
him. Immersed in this temporary sense of frustration, he begins to awaken;
sliding back to Claymation consciousness as his vocal simulations become
dopplerized and form an expletive that curls into a diphthong, which breaks
finally, like a giant wave, onto the olive-pit strewn beach of his
self-awareness with one final, Fouuuk!
At first, Habanero is disappointed. He has been unable to
make the connection and create a gestalt; then again, none of the other fruits
and vegetables knows anything about this, so it’s not as if he has failed to
make discernible progress. Nonetheless, he knows in his seed beds that by
learning to communicate with a strange creature such as ‘Bigfoot,’ he might
develop a hypothesis regarding the ontology of the Claymation FVW realm. But, Habanero
knows that his latest dream may be as close as he may ever get to discerning
the motives and being of such a mysterious and bizarre creature. “Perhaps it
was all a dream,” he says to himself in an old fashioned cuneiform screen
crawl. “Perhaps, one should not stray so far from one’s own being simply to try
to inhabit that of another, but such desire seems too natural to suppress.”
With that, Habanero Pepper goes out to the center of the
Fruitbowl to mingle and preen with the other Claymation Fruits and Vegetables.
Soon, the Bigfoot creature’s memory retreats to the bottom layers of his seed
membranes, to reside as a colorful and exceptional memory, but a memory
nonetheless. Still, Habanero, in the depths of his capsicum-comprised carapace
knows that Bigfoot is more than just a memory; he is a phantom; and now,
Habanero Pepper, like Banana, and Tomato, is haunted by a specter he can’t
explain or forget. He is momentarily lulled out of his ruminations by a long
shadow; it’s Hand, coming in for a repast. Habanero knows that he is too hot to
be a likely choice; but, the threatening visage is a reminder of a familiar
ritual; business and terror as usual in the Claymation Fruit and Vegetable
realm. “Is it the same everywhere?” Habanero wonders. He receives no answer as
Hand passes overhead, lunges for Macintosh Apple, and misses. “He’ll be back,”
thinks Habanero, as he runs with the others for cover, just in case.
JZ Rothstein 3/27/2014
Saturday, March 22, 2014
And the Fireflies
And the fireflies
break upwards into
a strange aerial motility
like thousands of small
children with galactic
filaments for wings
climbing the rungs
of an esophageal matrix
from a minor dream;
their tails bent caduceus-like,
wrapped around
jet-packs,
as they can
be seen taking
off all over
southern Arizona
methodically,
like
hot-air
balloons
rising
into the green
mist,
the flat soup
of sky
shimmering
in waves
of receeding
jelly-like plasma;
this membrane,
this transparent tarp—
inversion layers
sandwiched like
discrete parts
of a medieval
song cycle,
distinct
yet
connected
together
by more
than just
the air.
The buttes
Stalagtiting
downward
in flat preliminaries
of frown—we are dry here;
the face of this land
holds no tears;
moisture condenses
into small swarms of flies;
clumps of saguaro
flower inadvertently
precariously nestled amidst
adobe style-motels,
owl-nesting mounds,
unknown Zuni, Uwanami
petroglyphs—phosphemes
of a strange arid tongue
whose echo still
resonates in the dry
valley. Thus,
It has no bones
and grass will not grow
along its sandy escarpments;
the horses do not drink
from mostly dry
mineral wells
in this
place of sediments.
Coyote’s laughter,
is the nocturnal
sunlight
of a strange tongue
which appears
every evening
clothed in the invisible
gestures
of the desert.
It smiles
un-noticed perhaps,
here where
most things are
simply
not visible
and where
variations
in the refractions
of light
are called by
the names of
familiar animals
long extinct.
JZRothstein 2012 (edited
3/21/2014
Monday, March 10, 2014
The post below is a parody of a Wikileaks entry...If you have read my blog on occasion you probably realize this, but I feel compelled to mention it anyway; although it would have ben more fun and a sign of greater confidence, on my part, in my tricksterism and playfulness not to have said anything at all...
Well, if you didn't suspect--and I am sure that you did--now you know. Nuff said...
PTP
Well, if you didn't suspect--and I am sure that you did--now you know. Nuff said...
PTP
Clown Herds: A
specific family group, or loose association, of migrating clowns who follow
food supplies and seasonal availability of crops along a broad itinerary that
follows no simple or predictable pattern. As a result, clown-herds often come
into conflict with farmers, inhabitants of small towns, and highway
authorities, as well as local municipal governments, who regard them as a
nuisance species.
Genealogy:
It all started with a circus clown named Poop, who after
being launched (or ‘pooped,’) by a cannon, with too much gunpowder, in a
travelling circus show in 1957, was killed—along with a tame Indian elephant
named Barney Fife, who was eating salted peanuts out of a large bucket by the
bleachers near the side of the stage. The clown had overshot his small plastic
pool due to the power of the blast. Strangely, ‘Poop’ was the first clown to
innovate the art of being shot out of a cannon; and, over time, as the breach
became larger, and the charge more explosive, Poop was shot further and further
into the air; in a process similar to the mechanics of amoebic-dysentery; until,
at his highest point, he was tickling the underside of the tent top. It was
only a matter of time before someone goofed up, and when someone finally did,
the clown paid the price. A lengthy investigation found the death of Poop to be
accidental, but clowns all over the country remained suspicious, and began
demanding new safety procedures. After all, clowns everywhere knew that they
too, could end up like Poop, in any number of ways; and, that there was a
little bit of Poop in every clown.
In the ensuing years, many circuses folded, due to various
economic woes, and clowns of all varieties began to accumulate and form into
groups called ‘Clown-Herds.” This included dropouts from clown colleges that
went defunct in the clown recession, and clowns with long criminal histories;
as well as pseudo-clowns, men pretending to be clowns to get out of failed marriages
and child-support payments, as well as those simply evading the law. These
extended clown families began as circus dwellers but have, over time, become
nomadic, subsisting mostly on scrounged food and wild foliage.
Migration and Foraging Patterns:
Many of these herds can be seen at night crossing rural highways
and turnpikes, and have become particularly numerous in the Midwestern states
of Ohio and Indiana, where new safety measures have been adopted over the last
several years to protect clowns and motorists alike. In Ohio—particularly hard
hit by a slew of CIA’s (Clown Induced Accidents)—county officials in certain
heavily impacted areas have lobbied for ‘Clown-Crossing’ signs. This is because
accidents involving clowns and motor vehicles, especially large trucks and
busses, have increased exponentially over the last several decades, reaching a
peak in 2012, when over 452 semi-flattened clown corpses were removed by Clown Removal
Crews, also known as ‘Clown Scrapers’ (or
CRC’s), working the Ohio Turnpike. The clown-carrion is usually donated by the
state to local jails and penitentiaries, where—if one is to take the
pronouncements of the wardens and administrators at face value—“they make a
good, nutritious meal.” Still, even in the midst of such inadvertent methods of
population control, the number of clowns has risen to unprecedented levels.
Civic Responses to Clown-Herds:
In nearby Steuben County Indiana they have developed their
own unique solutions to this problem. There is now, an extended clown-hunting
season; something that hunters have been promoting for some time, as clown meat
is a popular entrée at local barbecues. This has stimulated other parts of the
local economy as well, such as customized hunting accouterments, particularly the
marketing and manufacture of accessories used on sport vehicles. A punk rock
band from Fort Wayne, known as “Clown Rack,” has immortalized one of these
ingenious devices, the new extended length roof-racks, usually seen on pickup
trucks and SUV’s, which are slightly larger than those used for deer carcasses.
In fact, Clown hunting is extremely popular all over the Midwest, and the large
population of errant clown herds, who cause millions of dollars in crop and
home damage across the rural Midwest every year because of corn plant nibbling and
occasional hibernation atop barns and house roofs, have led state officials
from as far afield as Kansas and Minnesota to give their blessings and declare
the entire fall season open for Clown-Culling, as they prefer to call it
Clowns as a Usable Resource:
Concomitant of such shifts in attitude towards a species
once noted for its pratfalls, nose-honks and tendency to pile into Volkswagens,
as well as its gift for antagonizing Lions and Elephants, is the explosion in clown-tossing,
clown-cuisine—specifically restaurants, specializing in clown dishes, not to
mention the widespread availability of clown-steaks and stir-fry mixes—and even
clown-zoos and water parks. In fact, the newest fad along these lines is the
practice of diving for undersea clowns. The latter may have achieved its
explosive popularity because of a recent X-Bot channel cable show called “Spear-Fishing
for the elusive Deep-Sea Bozo, with Shaquille O’Neill and Steven Segal.”
Clown-Evolution:
The runaway success of this form of clown-based
entertainment is partially the result of a resurgence in fascination with this
often annoying species, and its rapid evolution into many distinct families;
which include, in addition to marine-clown species, Clown-Reptiles, Birds,
Marsupials and several previously unknown varieties of Clown-Rodentia,
including the Bloated Central Asian Clown Mouse, the only species of clown or
rodent known to occasionally dine on ordinary humans. Evolutionary Biologists
hypothesize that rapid clown evolution in both herding behavior and speciation
has progressed exponentially because of an underlying genetic predisposition in
clown-DNA towards rapid adaptation of assimilative traits. Despite this
ability, there is much disagreement over whether this makes clowns intelligent,
or merely—as David C. Nestlor of the Harvard Clown Research Project puts
it—“mindlessly programmed to transform into an endless hodge-podge of silly,
and sometimes ridiculous, varieties. This is sort of like the diversity seen in
yogurt flavors or Oreo cookies, neither of which has any intelligence, even
though the former has live cultures.”
Other researchers take a slightly different view however.
Paoli Sistler of Berkley’s renowned Center for the Study of Marine Wildlife,
points out that the overnight evolution of one or two known terrestrial clown
species into a variety of Fish, Aquatic Mammals and even water Fowl, is the
most rapid transitioning and branching out through natural selection that he’s
ever seen. “Certainly,” comments Sistler, “any animal that can diversify this
rapidly and evolve sharp teeth, flippers and dossal fins, in part, to evade
sophisticated radar fishing techniques, has—at the very least—an innate
predisposition to engage in the sort of light-speed biological adaptations that
are seen in the very heartiest of survivor animal families. We should not,
therefore, underestimate the potential of clowns to mimic and mutate into every
possible ecological niche.”
Related Subjects:
Clown-investments; Clown-Futures; Clown Collateral bond
swaps; Clown Deregulation; Clown Genealogies; Clownular Diastrophism, Clown Euthanasia, controversies and problems; Clown
feces, study of; Clown-Policy, national; CCDD (Chronological Clown Decay Disorder);
Clown Apparitions; Clown Time-Travel; Clown-TV; Clown-Inoculations for
schoolchildren, and related controversies; Clown Control; Secret CIA Clown
Prisons; Clown-Literature—see, “I Know
Why The Clown-Bird Sings;” Clown Humor--Dave Barry: :”Hundreds of Clowns
Standing On My Lawn At 5-am, Calling Out My Name Over and Over Again, and other
Harlequin Tales; Historical Clown Research—see Clowns Throughout History; Clown
Dental, Closeted Clowns; Clown Support Organizations; Clown Sterilization
Programs, and controversial legislation in relation to—see also Supreme Court,
the Clown Proliferation Question: Modeski Illinois vs. Bozo, Crusty, Jiggles,
et al., 1994, Supreme Court United States; McDonalds Clown Protectionism, and
issues of clown inequality, particularly the Ronald-Bozo dichotomy. Advanced
Clown Studies; Clown Metaphysics; Clown Simulators, professional and amateur;
Clown Pigments; and Clown Head shaped rocks and other natural formations—See
Clown Head National Monument, Kearney Nebraska.
Wikipedia Policy:
Additional Clown information and essays may be added to this
site without permission in the interest of promoting an expanding universal
knowledge base. In addition, Wikipedia is open to both topic headings and
expanded essays on a variety of subjects, themes, genealogies and histories, as
well as scientific concepts and practices. This is a free user defined site.
America’s Minor Afflictions.
America went to the doctor, who told the rather extensive
country that it had too much Florida, and that it would have to be surgically
removed. America was concerned, it sounded painful. “Not to worry,” said the
doctor; “It’s a simple excision procedure, and much of it will grow back before
you even realize it was gone. Still, America was not convinced and sought a
second opinion. “How can one have too much Florida?” America thought to itself.
“I mean, isn’t it more a question of a dichotomy: One either has Florida, or
one doesn’t.” This sounded right to America; after all, America’s neighbor and
sometime-friend, Mexico (America didn’t like to admit that being nice to friends
on a consistent basis interfered with one’s long term interests at times, as
everyone must watch out for themselves, etc., etc.,) didn’t have Florida; no,
Mexico had the Yucatan. But that was different, since the Yucatan was not so
extensively developed with scales and rivulets and geometric age-lines, or
other characteristics which dried out the surface layers and re-channeled
moisture. Moreover, Mexico didn’t have a painful Cape Canaveral growing from
its periphery, like a series of spiny minarets.
And then there was the Orlando. It was on the other side of
Florida, and seemed to be a receptacle for complex plastic polymers, masonry
and salt. The doctor called it a dermal manifestation of a “Disneyworld,” and
hinted that its primary characteristic was that it attracted thousands of tiny
dust-mites. These dust mites came in a great profusion of varieties and loved
to suck up moisture. They congregated atop the Orlando like the legs of
thousands of miniscule caterpillars suturing their malleable bodies to the
leaves of a Locust Bean Tree in August. There was no cure for this insidious nuisance,
the doctor told America; and the placement of this particular nuisance made
amputation impossible: Florida would have to stay just where it was.
“However,” the physician added, with a theatrical flourish
that aroused America’s suspicions that he had planned this dramatic conjunction
from the first utterance of the diagnosis, “there is a way you can neutralize
the damage caused by this concentration of animalcules across the breadth of
the Orlando.” “And what would that be?” asked America somewhat bemusedly. “It’s
a special topical cream—it gets right inside the tiny animalcule bodies and…”
“What?” asked America, “it kills them?” “No, No,” replied the doctor, “it neutralizes
them, makes them lazy and less likely to congregate in one place. You might say
it re-focuses their attention on other forms of gratification; which, for your
particular problem is ideal.” “So, what is it called?” asked America in
anticipation. “Heroin,” said the doctor. “I think you’ll like it; and, more
importantly, your dust-mite friends will love it!”
“I don’t understand,” replied America. “If they ‘love it,’
won’t that cause them to multiply?” “Not exactly,” explained the doctor. “You
see, Heroin is a facilitating agent; it doesn’t directly do anything that we
can measure, but it creates a reaction in the little animalcules; which, in
turn, leads to a chain reaction in another class of ‘watchman’ animalcules, who
apprehend the heroin immersing mites and take them to tiny glands called
‘penitentiaries.’ Once enough animalcules are embedded in these tiny
glands—which hold millions of them—the rest of the mite-economy, if you will,
collapses. No more Orlando, no more Disneyworld, no more problems. You are
cured and brought back to a healthy state of sterility!”
“What about Florida?” asked America. “Well,” replied the
doctor, “the cream won’t get rid of your Cape Canaveral, but we might be able
to avoid cutting it off by using special fish to nibble away at it.” “Fish,”
intoned America, somewhat incredulously. “Yes, fish; I know it sounds strange,
but these little cleaner-fish make their living in the ocean gently sucking
barnacles, debris and parasites off of other fish. The largest of them clean whales.
If you immerse your Florida in a saline Everglades solution, the fish will take
care of the rest.” “That’s great,” sighed America, with noticeable relief. “I
was starting to worry that I might lose Florida.” “Well, it would have grown
back anyway, Florida is very persistent; but, not to worry, the cream and the
cleaner fish should adequately address these minor problems.” “Is this normal
stuff at my age?” asked America. “Yes, of course; in fact, you don’t have it
that bad; as you get older you may experience Floridian subsidence and
sea-level immersion. And, if you think that’s a big problem, just imagine being
beset with a large and growing Tokyo, or a Singapore? Now that kind of
development can be a real nuisance,” concluded the doctor. And, with that,
America limped home, quite satisfied and relieved.
Subscribe to:
Posts (Atom)